Everyone listens to Handel’s Messiah at Christmastime, but it was originally performed at Eastertime, and the Easter portion of the piece has some gorgeous and infrequently performed gems, like the tenor aria “Behold and see if there be any sorrow” and the soprano aria that follows “But thou didst not leave his soul in hell.” So if you haven’t listened lately, dust off your CDs and listen to the WHOLE THING, not just the MoTab recording of the “highlights.” There are lots of good recordings out there, but I like Christopher Hogwood’s with the Academy of Ancient Music, because I like the chorus with boys instead of women. (yeah, it’s hard to be a feminist and early music critic at the same time!) I also like the clean sound of the smallish chorus, but if you want a big loud sloppy Hallelujah Chorus, you might not like this. I also LOVE Boston Baroque’s recording, which is even lighter and quicker, but it takes more getting used to if you’re used to Ormandy and MoTab. However, Handel is just the very very beginning–there is so much GREAT stuff in the world!! What follows is a self-indulgent and highly opinionated list of indispensable classical music for Easter. Please add your own favorites, criticize mine, commit to learning to like one new bit of classical music this Easter season!
Category: Mormon Arts
Arts – Music – Poetry – Cinema – Television
Under-rated Hymns
In the chorister’s thread, some discussion has come up (okay, it’s been mostly me) about under-rated hymns. I think that this is an interesting enough subject to deserve its own thread.
Why do we have choristers?
Rather than hijack the discussion of Russell’s post, I’ll post my question separately: I wonder why we insist on a chorister every time we sing. In most cases no one is really following the chorister anyway; we follow the pianist. Having grown up a Protestant, I know that a congregation can have very good singing with no chorister.
The Times and Seasons Song Contest
Lest anyone miss it, here is a gem from Grasshopper that was hiding in the comments: Jonah was a prophet, swallowed by a whale. When he was on board, the ship just couldn’t sail. So they tossed him over, next thing that he knew, Nineveh repented, Jonah had to, too. Swallow the prophet, swallow the prophet, swallow the prophet, won’t get away; Swallow the prophet, swallow the prophet, swallow the prophet; he’ll find the way. I hereby nominate this song and Kaimi’s “Put Potatoes with the Veal” (which I can’t find; what thread was it in, Kaimi??) as the inaugural entries in the Times and Seasons Satirical Song contest. Entries must fit with a hymn tune or Primary song from the LDS canon. Prizes will be awarded on the entirely rational and objective criterion of how much Diet Coke I splurt through my nose while reading the entries. Entries which cause lightning to strike my computer will be disqualified.
Temple Murals Errata
In my post below, I wrongly stated that the Ghana temple was the first one to have murals. My bad. Los Angles (1956) was the last temple to have murals before the recent spat of temple building. The Winter Quarters Temple didn’t have murals, but it has very large, framed paintings in the ordinance rooms. This paved the way for the Columbia River Temple, which was the first recent temple to have true murals. Since then, murals have been included in the temples listed in this comment. In addition, there have been murals in the Monteray, Mexico temple, and the Nauvoo Temple (although these were commissioned after the temple was dedicated).
A Mormon Image: Ghana Temple Murals
Beginning with the Saint George Temple, our temples use to include murals. Generally the endowment would progress from a creation room, to a garden room, to a world room, to a telestial room, and finally to a celestial room. From the Saint George Temple to the Los Angles Temple, the practice was to put murals on the walls of the creation, garden, and world rooms showing some version of creation, garden, and world. Then for a long period of time, these murals disappeared from our temples. With the Ghana temple, they are back.
Q: Do you know LDS artists Greg and Linda Christensen?
We missed a fireside the other evening (ahh, the new joys of a screaming baby) given by “well known LDS artists Greg and Linda Christensen,” who apparently created art for the Manhattan Temple. I’ve poked around online, but I couldn’t find any information about them. Does anyone know of info, images, or work they’ve done? [I do know LDS artist Greg Olsen, who lorded over me in Google searches for “greg” for a long time. Altogether different guy.]
If You Could Hie To Kolob – Lyrics
One of the recurring internet searches (on search engines such as Google) that brings people to this site is “If You Could Hie to Kolob Lyrics.” We get hits from variations of that search at least three or four times per week. So, in an effort to respond to this need and serve our readers, who apparently want to find these lyrics, here they are:
Did Somebody Say Gay? Gay Mormon Art Stolen from SLC Exhibit
An annual exhibition of gay pride-related artwork opened at Salt Lake Community College, and artist Don Farmer’s photos of two RM’s hooking up while wearing their missionary tags became the immediate center of attention. First came shouting matches at the opening, protesters trying to remove the photographs, police being called, and administrators relocating the show from the lobby to a classroom. Then, two days later, the photos turned up missing, stolen. The SLTrib reporter lazily kicks off her article with, “But is it art?” Unequivocally, yes, it is. Is it good or not? Doesn’t matter now; it’s certainly effective.
A Mormon Image: Elijah Abel
Elijah Abel is generally thought to be the first black Mormon. (Click on the picture to the right for a larger image.) He was most likely born into slavery and escaped to Canada via the Underground Railroad. In 1832 he was baptized by Ezekial Roberts. In 1836 he was ordained an elder, most likely by Joseph Smith. He was later ordained a Seventy and during the course of his life he served at least three proselyting missions. He came west with the Saints, settling in Salt Lake City, where he worked on the Salt Lake Temple as a carpenter, although Brigham Young refused to allow Elijah to recieve his temple endowment. He died in 1884. Both his son and grandson were ordained Elders. For more information on Elijah Abel and other black Latter-day Saints, check out www.blacklds.org.
A Mormon Image: PETA Goes After the Mormons
Vegetarians seems to be making a serious bid for Mormon converts. Check out this story and this bill board: I can only assume that they have been reading T&S. For extended commentary, including links to the Church PR Deptartment’s reaction go to A Soft Answer.
A Mormon Image: Mormons on the Picket Line
Mormons have a well-deserved reputation as a conservative bunch. Hence, I have to include this wonderful image of leftist Mormons on the picket line.
Most Inspiring Rock Song Ever?
Last week, Kaimi made this Comment: “Possibly the greatest rock song of all time: Hotel california.” This was followed by a few expressions of incredulity, including this from cooper: “Hotel California??????? Ugh! Gross. Blech!” Kaimi defended his choice on grounds that the song had a great guitar solo, and he backed up his assertion with this ranking. When I heard Hotel California on the radio today, it reminded me of this exchange and started me thinking. Rock music can be rated along various other dimensions: best vocal (should we just agree by acclamation that Bohemian Rhapsody wins this?), best drum solo (anything by Keith Moon), best rock ballad (hmm, “Wish You Were Here” by Pink Floyd?), etc. How about the most inspiring rock song ever?
A Mormon Image: Polygamists in the Pen
In one of the comments below, Judy Miller of the Utah State government asked about the image of the prisoners in our masthead. A large, framed version of this photograph hangs in my office, so I thought I would say a little about it.
A Mormon Image: Fremont’s Map
Shortly before his death Joseph Smith began making plans to move the main body of the Saints to someplace in the American west. After his assination, Brigham Young and the Quorum of the Twelve continued to flesh out these plans, ultimately choosing to move the Saints to the Great Basin. In making their plans they depended on the reports of John C. Fremont and on the maps of the American west that his expeditions had created. Here is one of them.
Amateur Music in the Church
I was recently thinking about music in the church. To be specific, I was wondering about the church policy of not hiring professional musicians, but simply plugging the best available members into any slot where they can conceivably fit. I have been ward organist myself, despite my complete lack of training on the organ. Our current ward organist is Logan’s lovely and talented wife, who has also (I believe) had no formal organ training. This is not to critique her efforts (or my own); we have both done pretty well, I think, especially with liberal use of the Bass Coupler button. I have also, while living in New York, attended the Manhattan First Ward. The organist there is no mere pianist-pressed-into-service, but a bona fide, trained specialist in the instrument. The result — as anyone who has attended that ward can attest — is awesome. It is also, in my observation, the exception rather than the rule. The “Kaimi or Amy pressed into service” model seems to be predominant.
A Mormon Image: Irish Football
The following picture was sent to me by a law professor that I know at Notre Dame. The picture was taken during the Notre Dame v. BYU football game last fall, which was held in South Bend.
A Mormon Image: The Angel in the Mountains
Mormonism managed to make it as National Geographic’s photograph of the day.
A Mormon Image: Quilting the Tree of Life
What counts as art is an interesting question. We have a bias toward thinking of art in terms of oil paintings, bronze statues, or marble carvings. One of the unfortunate effects of this bias is that it makes much of the art done by women invisibile. You’ll note that most of the work done in those mediums has been done by men. However, if we expand our sense of what constitutes art, there are mediums where women clearly dominate. Consider quilting.
A Mormon Image: Temple Murals and Art Missionaries
While many members don’t realize it, there is actually a fairly strong tradition of impressionistic painting among Mormon artistists. The origins of the tradition go back to the decision of the Church to send some budding young LDS artists to Paris as “Art Missionaries” in the late 19th century. This painting, a study for the mural in the Garden Room of the Salt Lake Temple, is an example of this impressionist tradition.
A Mormon Image: The All-Seeing Eye
During the nineteenth-century all-seeing eyes were a common Mormon image. They seem to have been borrowed from Masonry and represented the presence of God. Accordingly, the symbol was frequently associated with temples, and appears in numerous places on the interior and exterior of the Salt Lake Temple. This image, however, is much earlier and comes from the St. George Tabranacle.
A Mormon Image: The 19th Ward Chapel
When Brigham Young laid out Great Salt Lake City in the 1840s, he modeled it on the Mormon experience in Nuavoo. Thus, the city was divided into wards, which were combined to form the original Salt Lake Stake of Zion. In all there were nineteen of these wards, and they continued to be the core units of the Church in Salt Lake for many, many years. This chapel, built in 1890, housed one of those original wards.
A Mormon Image: A Photograph of Joseph?
Some believe that this image is a photograph of the Prophet Joseph Smith. If they are right, it is the only known photographic image of Joseph . . .
A Mormon Image: C.C.A. Christiansen
Since blogs seem to thrive on regular features, I have decided to start one here at T&S. Because my father is an art historian and a curator at the Museum of Church History and Art, I have always been interested in the images and art that Mormonism has produced. Thus, I will begin regularlly posting samples of it to this blog, along with a little bit of commentary. I begin with C.C.A. Christiansen
An Image for Kaimi
Here is what I have always thought was the best visual depication of Kaimi’s theory of Book of Mormon geography. The painting is by the wonderful Minerva Teichert.
He Forgets Not His Own
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A Mormon Image: Our Army
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Another post about hymns
Greg’s recent post about hymns made me think again about an issue I’ve been reminded of every several months for the past two years. I live in the Bronx, and my ward has somewhat unusual demographics. It is probably 60% African-American, including the Bishop and First Counselor, which I had never seen in a U.S. ward before. It is also very much a mission-field ward, with maybe a third of its members having belonged to the church for more than four or five years. With the ward’s demographic mix and the members’ relative lack of church experience, subjects like Blacks and the priesthood are particularly sensitive. Two years ago, I was sitting in General Conference (priesthood session, as I recall) and we turned to page 59 to sing that old standard, “Come, O Thou King of Kings.” I had probably sung it dozens of times before, never really paying much attention. We sang along up to verse four. Suddenly the text seemed to jump out of the page at me. I was sitting next to a newly-baptized African-American member, and hoped that he would be paying little attention, as we sang: Hail! Prince of life and peace! Thrice welcome to thy throne While all the chosen race Their Lord and Savior own The heathen nations bow the knee And ev’ry tongue sounds praise to thee. The new member said nothing, and I breathed a sigh of relief. Nevertheless, I was…
Reason’s Stare
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Eliza R. Snow in the New York Post
A couple of weeks ago I was perusing that paragon of journalistic integrity, the New York Post (today’s cover: “JACKO: Now Get Out of This One!), and saw a phrase that I’d previously only heard sung (much too slowly) in church. The lead of George Will’s column was “Of capital punishment, Massachusetts Gov. Mitt Romney says: ‘It makes reason stare.’ Indeed it does.” First of all, what does this phrase from the early Mormon hymn “O My Father” mean? I guess I understand what its meant to convey, but it certainly is a curious turn of phrase. Has any thought *made* you stare before? If some thought is unreasonable, would personified reason just stare at it? Or perhaps reason is just blankly staring into space, totally flummoxed. Second, why have we as Mormons been so slow to introduce the unique lexicon of our hymns into a wider sphere? I would love to see the headline “Bush Hies to London;” or “UN Security Council Puts Shoulder to Wheel.” Lastly, I found it mildly refreshing that a prominent Mormon would so quotably criticize the death penalty. (The context, of course, was that Romney was appointing a commission to look into bringing the death penalty back to Massachusetts.) I don’t think I’ve ever heard such criticism from any other prominent Mormon, nor from much of the rank and file. Perhaps it’s an indication that recent publicity on the topic (Governor Ryan, Scott Turow,…