Living in Wisconsin, I have observed that the line between religion and football is thin. During my formative years, I was the lone Minnesota Vikings fan in a small Wisconsin town. Fortunately for me, the Vikings were quite good during the 1970s … although never quite good enough to win the Super Bowl. More importantly, the Green Bay Packers stunk during those years. After I joined the Church in the early 1980s, I stopped paying attention to professional football because I wanted to keep the Sabbath Day holy, and professional football does not have much to recommend it in that regard.
I saw the third installment tonight. The triology is an awesome accomplishment, but I still liked the books better than the movie. As you may know already, the movie has generated a plethora of Christian reviews (see here for links), mostly positive. Does this strike anyone else as odd?
Sunstone magazine is different things to different people: a gadfly; a breath of fresh air; a gripefest; scholarship for nonscholars; a needed Mormon arts outlet; an enabler of apostate rantings. For me, it was a first introduction to a broader range of Mormon thought than I was raised with. Unlike Nate’s youth, mine was devoid of discussions of hermeticism and hermeneutics over the dinner table.
After reading the amazing conversation on gay marriage below, I am in the mood for something a little lighter. How about sports? Mormons enjoys sports as much as any group … maybe more than most, since we are sober at sporting events. Anyone out there who is associated with BYU knows that the football team is a passion for many Mormons, perhaps even more so after two straight losing seasons. Just visit Cougarboard or CougarBlueII and you can witness the continuing interest in BYU football, even though the season ended several weeks ago with an ignominious loss to the University of Utah by a score of 3-0.
Below we are discussing books in the Mormon Studies genre, but one of our readers — Sid Sharma from Ann Arbor — emailed me to inquire about LDS authors who write “modern, literary fiction.” Good question. Who are some LDS authors we really love to read? Anyone care to share a review of a favorite LDS author?
Of course we always knew it would happen, but we didn’t think that it would happen so quickly: Times & Seasons has been made into a movie, with Helen Hunt and George Clooney, no less. At anyrate, the script has been written. Check it out here
My entry below about Mel Gibson’s forthcoming film Passion generated some very thoughtful comments that I had overlooked until now. Rather than responding way down there, I thought it best to bring this topic to the top, as it is bound to generate more interest. The focus of the comments — a mini-debate really, between Brent and Taylor — is the historical record of Jesus’ crucifixion.
There is a strange schizophrenia about popular images of Mormons. On one hand, we get stereotyped as shinny, well-scrubbed, conservative, paragons of middle American virtues circa 1955. On the other hand, we get stereotyped as dangerous, homicidal, polygamist fanatics. As Gordon points out in his post the latter stereotype popped up recently in Law & Order: Criminal Intent, but that is hardly the only place one sees it. Remember that the religious bomber in the movie Contact was from Prowan, Utah. At the same time, Mormons pop up in Tom Clancy novels as shining examples of American decency. As I pointed out in an earlier post, this second stereotype also has a dark side in the eyes of some. For example, the English spy novelist John La Carre has dropped Mormon characters into his novels, where they serve as the personification of the naive and slightly frightening earnest true believers of the American national security state. It seems to me that the problem with all of these images is that at bottom they are not really about Mormons.
Have you seen the trailor for Mel Gibson’s film about the last 12 hours of Christ’s life? This has been the subject of much debate, as Jewish leaders raise concerns about anti-Semitism and others respond. Here are some responses from people who have actually seen a rough cut at the behest of the New York Post, which apparently bootlegged a copy (the uniform reaction — except from the “Post reader” — was that the film unfairly portrayed Jews). Amitai Etzioni, who has been blogging regularly on this topic, had an interesting take on this flap way back in September: Those who will wrap themselves in the First Amendment should note that no one is arguing that the government should ban the movie — only that it is morally not right. There are many things we can say about African Americans, Jews, and for that matter about Catholics, which best remain unsaid. While I suspect that there will be no uniform Mormon response to this film, my inclination is to agree with Etzioni.
I just saw what was perhaps the most offensive portrayal of the Church that I have ever seen on network television. In an episode of Law & Order: Criminal Intent that originally ran on November 16, a young man (almost 18) is cast as a Manson-like figure. He assembles of group of three young women disaffected by the depraved behavior of their high school peers. The young man preaches a different gospel, one informed by Siddhartha (Hesse’s novel). When the young girls kill three male classmates and then some parents at his command, Detective Goren is on the case. As he closes on his suspect, he finds the clinching clue: the young man has been reading books on Mormonism, including the Book of Mormon! He then concludes that the young man fancies himself a prophet and has made plans to flee to Utah with the girls (can you say polygamy?). Wow! What a shock! This plot twist was wholly gratuitous. Manson (a pretty clear allusion) had no connection with the Church. Nor does Siddhartha. The connection between Mormon doctrine and the actions of the characters was completely unexplained (and unexplainable!). Ultimately, the plans to go to Utah figured not at all in the resolution of the crime. It made me wonder if the writers had read Krakauer’s Under the Banner of Heaven: A Story of Violent Faith, the point of which appears to be to portray the Lafferty brothers as…