1562 search results for "A Mormon Image"

A Mormon Image: Sweaters for the Penguins

The sweaters that these penguins are wearing are designed to save their lives after oil spills off of the Australian coast. They were knitted by Aussie Relief Society sisters. Who says that LDS service projects aren’t fun? (And as Nate asked last time: Who got to put them on the penguins?) (Picture courtesy of LDS Newroom; originally linked in this prior T&S post.) This picture is part of our ongoing series highlighting Mormon images. Comments to the post are welcome; all comments should be respectful. In addition we invite you to submit your own images to the Mormon Image series. Other images in the series can be found here. Rules and instructions, including submissions guidelines, can be found here.

A Mormon Image: Weighing Eternity

An oft-quoted passage from our Bible Dictionary states that “only the home can compare with the temple in sacredness.” This statement has been concretely validated in the birth of our children. No experience I have ever had has compared in holiness with our experiences of welcoming our children into this world and into our home. For me, this picture captures a great deal of what my faith is. The baby, a few minutes old, is being weighed. In the mirror you see my wife (taking the picture), myself, our baby, and the midwife mediator who helped us bring our daughter into the world. It very much reminds me of the temple and our covenants. My own pose is for me a visual demonstration of what I hope I am doing as a father. In this picture, as in my life, there is no separation between my religion and my family, my God and family, my home and the sacred, our raising a family and our worship. Perhaps this is a luxury, even within Mormonism. But even without our fantastically blessed experiences, I think this would remain my ideal. by James Olsen This photograph is part of our ongoing series highlighting Mormon images. Comments to the post are welcome; all comments should be respectful. In addition we invite you to submit your own images to the Mormon Image series. Other images in the series can be found here. Rules and instructions,…

A Mormon Image: Newport Beach Temple Wedding

or, an untraditional Mormon couple in traditional clothes. After the ceremony while I was walking through the temple halls, people were coming out from all over the place to gawk at my dress. I think most of them had never seen formal Vietnamese wedding regalia before. What’s funny is that the Vietnamese traditional dress (ao dai), seems, to me, to be more suited for the temple than American wedding dresses with its floor length, high neckline and long sleeves. Unlike many others before me, I didn’t have to wear anything over or under my dress to make it appropriate for the temple. Submitted by Kim Nguyen — This photograph is part of our ongoing series highlighting Mormon images. Comments to the post are welcome. In addition we invite you to submit your own images to the Mormon Image series. Other photos in the series can be found here. Rules and instructions, including submissions guidelines, can be found here.

A Mormon Image: Life, Mundane and Sacred

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This image shows my great-grandmother Sarah Day Hall standing at her front gate in Manti, Utah, in the 1930s. In her workaday clothes, behind her sagging fence, the life of this Mormon matriarch would seem not to have changed much from her earlier sharecropper’s life in Alabama. The second image, though taken in her inelegant back pasture, shows how far she has really come from those earlier times: She can wear her best dress on Sundays to meet with the Saints, in the shadow of the House of the Lord.

A Mormon Image: Preparing for the Wedding Reception

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Photo by L-s Sus, who writes:

The picture is of my wife and son and was taken at my sister’s wedding. It captures many themes that resonate with my concept of Mormon identity: Family, Motherhood, Nurturing, and Beauty. It also reminds me that we have benevolent heavenly parents who reach down and give assistance, and that we are just children in the grand scheme of things.

Photo Series: A Mormon Image

In an effort to increase the beauty-to-blather ratio around here, we’d like to kick off a new series of posts featuring photos and other images which carry meaning to us because they resonate with our Mormonness. And we’d like to include all of you in this project. That is, we’re inviting you all to send in submissions for the new T&S series, A Mormon Image.

A Mormon Image: Gadfield Elm Chapel

One of the interesting factoids of church history is that for a brief period in the 1840s there were more Mormons in Great Britain than in the United States. Beginning with the mission of the Twelve to England, Mormon missionaries were very successful in Britain, especially in the so-called “potteries” region around Manchester. (Momon missionaries didn’t seem to do so well in London, and Wilford Woodruff had some choice things to say about the city in his journal.) The greatest missionary success came among the so-called United Brethren. The United Brethren were a splinter group that had broken off from Methodism. (Methodism had become very popular in Britain, especially among the working class, in the late 19th and early 19th centuries.) The United Brethren were worried about issues of divine authority and Christian primativism. When Wilford Woodruff preached to a congregation of the Brethren in Preston, England, the whole congregation joined the Church, and Mormonism spread like wild fire among other United Brethren and Methodist congregations around Britain. This humble church, located in the vicinity of Worcestershire, England began as a United Brethren chapel. When the congregation largely converted to Mormonism, it was donated to the Church in 1840. Hence is is one of the oldest — perhaps the oldest — Mormon building outside of the United States. When it was acquired by the Church in 1840, it was the only Mormon chapel in the world. (The Saints in Nauvoo…

A Mormon Image: Joseph in the New York Review of Books

For those ever-so-hip, black-turtleneck wearing New Yorkers in our midst, I felt that I would do what I could to relieve any anxiety that you might have about the potential un-hippness of Mormonism. Hence this image of Joseph Smith, which appeared in no less an oracle of Manhattan sophistication than The New York Review of Books. I have to confess that I am a bit mystified as to the significance of the shovel. A reference to money digging perhaps? Digging up the Gold Plates? Who knows. Interestingly, Joseph did visit New York City once in his life. It has been a while since I read the journal entry, but as I recall he thought it was a facinating place, but full of sin and ready for a good smiting by the Almighty. Not a bad description all in all.

A Mormon Image: The Vault

The Granite Mountain Vault lies hidden away on the north face of Little Cottonwood Canyon in Salt Lake City. Built by the Church in the early 1960s, the Vault lies under 700 feet of stone, and was meant to withstand a nuclear blast. Contrary to the ramblings of your crazy uncle, it safeguards mainly genealogical microfilm. There is an manmade lake inside that keeps humidity at the optimal level. Alas, it is no longer open for public tours.

A Mormon Image: Ghana Temple Murals

Beginning with the Saint George Temple, our temples use to include murals. Generally the endowment would progress from a creation room, to a garden room, to a world room, to a telestial room, and finally to a celestial room. From the Saint George Temple to the Los Angles Temple, the practice was to put murals on the walls of the creation, garden, and world rooms showing some version of creation, garden, and world. Then for a long period of time, these murals disappeared from our temples. With the Ghana temple, they are back.

A Mormon Image: Elijah Abel

Elijah Abel is generally thought to be the first black Mormon. (Click on the picture to the right for a larger image.) He was most likely born into slavery and escaped to Canada via the Underground Railroad. In 1832 he was baptized by Ezekial Roberts. In 1836 he was ordained an elder, most likely by Joseph Smith. He was later ordained a Seventy and during the course of his life he served at least three proselyting missions. He came west with the Saints, settling in Salt Lake City, where he worked on the Salt Lake Temple as a carpenter, although Brigham Young refused to allow Elijah to recieve his temple endowment. He died in 1884. Both his son and grandson were ordained Elders. For more information on Elijah Abel and other black Latter-day Saints, check out www.blacklds.org.

A Mormon Image: Fremont’s Map

Shortly before his death Joseph Smith began making plans to move the main body of the Saints to someplace in the American west. After his assination, Brigham Young and the Quorum of the Twelve continued to flesh out these plans, ultimately choosing to move the Saints to the Great Basin. In making their plans they depended on the reports of John C. Fremont and on the maps of the American west that his expeditions had created. Here is one of them.

A Mormon Image: Quilting the Tree of Life

What counts as art is an interesting question. We have a bias toward thinking of art in terms of oil paintings, bronze statues, or marble carvings. One of the unfortunate effects of this bias is that it makes much of the art done by women invisibile. You’ll note that most of the work done in those mediums has been done by men. However, if we expand our sense of what constitutes art, there are mediums where women clearly dominate. Consider quilting.

A Mormon Image: Temple Murals and Art Missionaries

While many members don’t realize it, there is actually a fairly strong tradition of impressionistic painting among Mormon artistists. The origins of the tradition go back to the decision of the Church to send some budding young LDS artists to Paris as “Art Missionaries” in the late 19th century. This painting, a study for the mural in the Garden Room of the Salt Lake Temple, is an example of this impressionist tradition.

A Mormon Image: The All-Seeing Eye

During the nineteenth-century all-seeing eyes were a common Mormon image. They seem to have been borrowed from Masonry and represented the presence of God. Accordingly, the symbol was frequently associated with temples, and appears in numerous places on the interior and exterior of the Salt Lake Temple. This image, however, is much earlier and comes from the St. George Tabranacle.

A Mormon Image: The 19th Ward Chapel

When Brigham Young laid out Great Salt Lake City in the 1840s, he modeled it on the Mormon experience in Nuavoo. Thus, the city was divided into wards, which were combined to form the original Salt Lake Stake of Zion. In all there were nineteen of these wards, and they continued to be the core units of the Church in Salt Lake for many, many years. This chapel, built in 1890, housed one of those original wards.